Dezeen teamed up with Swedish carpet model Kasthall to host a reside chat that explores crafts and heritage throughout Milan Design Week 2022.
Entitled Crafting the Future – Innovation and Icons, the speech celebrated the launch of Kasthall’s Quilt Tufted Rug, designed by Ellinor Eliasson and launched at Milan Design Week 2022.
The consultants mentioned the historical past of the model and easy methods to develop new fashions and methods with out dropping sight of older craft traditions.
Hosted by Dezeen Content material Director Ben Hobson, the panel consisted of Kasthall’s chief design officer Lena Jiseborn, Kasthall’s head of enterprise and undertaking improvement Peter Eriksson, designer Eliasson and architect Claesson Koivisto Rune, Ola Rune.
The panel came about within the Kasthall showroom in Milan in entrance of a reside viewers.
Throughout the dialogue, the audio system mentioned the position that craft and heritage performed of their design practices.
Eliasson, the Quilt designer, described how he referred to conventional textiles when he created the rug.
“The inspiration comes from woven textiles wherein warp and weft had been blended, but additionally from Japanese Boro textiles, the place patchwork materials are sewn collectively to create new patterns, to save lots of outdated garments and textiles,” she stated.
“I’ve all the time been curious about working with an organization that has its personal manufacturing. I believe it is an excellent factor, the place you may be very inventive inside sure limits,” she added.
“I wished to create a carpet of tufts that may push what we’re doing as we speak at Kasthall.”
Eliasson is a Swedish textile designer. He joined the Kasthall merchandise and design division in 2015, creating works such because the Harvest and Feather carpet for the model.
Additionally becoming a member of the panel was co-founder Claesson Koivisto Rune, Rune.
Equally impressed by Japanese craftsmanship, Rune described a undertaking for the K5 Lodge in Tokyo, the place he collaborated with Kasthall to reinvent the normal Japanese handmade tatami mat.
“The Japanese had been very stunned that we had been [took] their traditional and we turned it into our traditional, “he stated.
“Generally you need to play just a little with what you’ve gotten round you.”
Individuals additionally mentioned the lasting legacy of notable designers corresponding to Gunilla Lagerhem Ullberg.
“Within the 1950s, we centered extra on design, to contact these well-known Swedish textile designers of the time, corresponding to Astrid Sampe and Ingrid Dessau,” stated Eriksson.
“These women had been the primary to essentially take us into the world.”
Eriksson, head of Kasthall’s enterprise and undertaking improvement division, first joined the corporate in 1995 as a hand-held tufter. He labored intently with chief designer Ullberg on notable tasks such because the Moss and Fogg rugs.
Recalling his time working collectively, Eriksson described how Ullberg’s experimental method pushed Kasthall in a brand new, extra adventurous path when he designed the Moss carpet.
“I obtained the wire specs from Gunilla and put them within the automobile whereas she was nonetheless in Stockholm. We had been pulling our hair out as a result of we did not make it work in any respect. ” stated Eriksson.
“We had been simply anticipating him to throw it – and she or he instructed the hallelujah! That is the most effective factor I’ve ever seen, simply the best way I would like it.”
“Linen threads hung at random, whereas our purpose has all the time been to have as clean a floor as potential. So this has grow to be considered one of Kasthall’s best successes.”
“She [always] he had an concept, one thing wild and loopy, ”Jisenborn added.
Partnership content material
This text was written by Dezeen for Kasthall as a part of a partnership. Study extra concerning the content material of the Dezeen partnership right here.
Bar "I wished to create a tufted rug to push what Kasthall is doing" says designer Ellinor Eliasson first appeared on Dezeen.
