Colossal artwork
#ceramics #sculpture #The Colour Community
January 19, 2024
Kate Mothes
![](https://www.thisiscolossal.com/wp-content/uploads/2024/01/tcn-website.jpeg)
Colour Community Internet Website. All photographs © the artists
Let’s return to 1991. Ceramic artist and instructor Bobby Scroggins, who was pissed off by the shortage of entry and recognition for artists and craftspeople of shade—particularly black artists—took issues into his personal arms. On the Nationwide Council for Training within the Ceramic Arts (NCECA) convention, he seemed for black and brown faces within the crowd and arranged casual discussions, inviting friends and colleagues to type a cohort. Quickly, The Colour Community was born.
The unique group operated till 2014. Quick ahead to 2018, when a dialog on the NCECA annual convention led by artists Natalia Arbelaez and April D. Felipe initiated a brand new group with the identical identify. I sat down for an interview with three of TCN’s co-organizers, together with Arbelaez, George Rodriguez, and Magdolene Dykstra, who mentioned it finest after they described the facility of creating assets out there:
Educators and curators are conscious that they should query the fashions they’ve adopted and decenter beforehand prioritized teams. To me, as an educator, that is probably the most thrilling facet of the database: there is no such thing as a longer any excuse for any educator to say that they merely have no idea any artists of shade.
Learn the interview.
![Three people wear face masks and stand above a table where they look at various pieces of pottery.](https://www.thisiscolossal.com/wp-content/uploads/2024/01/Watershed-Residency-2022-Kiln-Opening_-Shaya-Ishaq-George-Rodriguez-Yesha-Panchal.jpg)
Oven Opening at Watershed Residency, 2022 with Shaya Ishaq, George Rodriguez and Yesha Panchal
#ceramics #sculpture #The Colour Community