The artwork
#meeting #foundobjects #Leonardo Ulian #mandala #know-how
March 6, 2024
Kate Mothes
“Expertise Mandala 201 – Circus Circus Circus!” (2023), digital parts, copper wire, lacquer, enamel paint, 3D printed components, lead, gesso, acrylic paint, epoxy resin, sand, gold leaf, diffuser, stone and MDF, 100 x 100 x four.5 centimeters . All photographs © Leonardo Ulian, distributed with permission
In current a long time, digital know-how has impacted—and in lots of instances fully remodeled—nearly all the pieces. From drugs to sports activities to the availability chain, numerous aspects of our lives are organized and pushed by computer systems. For London-based artist Leonardo Ulian ( beforehand ), the networks and connections of at this time's applied sciences present an infinite properly of inspiration.
In a variety of ongoing sequence comparable to Technological Mandalas, Technological Atlas, or invented objects, Ulian attracts on varied themes such because the physique, international maps and analog objects to create a dialogue between digital methods, philosophy and the human situation.
The Technological mandala sequence, for instance, appeared just a little greater than a decade in the past, when Ulian was going by means of a private disaster and was on the lookout for a objective in his life and creative follow. His analysis and experiments at the moment opened up a variety of concepts that he continues to make use of. “After 10 years,” he says, “I'm nonetheless captivated by the discoveries this work helps me make, each by way of new ideas and, I’d say, philosophical ideas.”
Discover extra on Ulian's web site and Instagram.
Element “Contrived Object 31 – Mr Maxply” (2021), digital parts, lacquer, copper wire and tennis racket, 71.2 × 19.7 × 12 centimeters
“Technological Mandala 143 – Flowing Vitae” (2019), digital parts, copper wire, lacquer, lead, paper, acrylic paint, mechanical components and MDF, 228.6 x 101.6 x 5.5 centimeters
“Techno Atlas 014 – Windmill of Drops” (2021), digital parts, microchip, audio system, copper wire, lead, 3D printed components, varnish, paper and wooden, 84 x 84 x four.5 centimeters
Left: “Physinomy 05 – Novus Homo” (2023), digital parts, copper wire, lacquer, lead, acrylic paint, sand, MDF, wooden, gold perspex glass and purple perspex, 114 x 72 x four centimeters. Proper: “Contrived Object 31 – Mr Maxply” (2021)
“Techno Atlas 013 – Rebirthing State” (2021), digital parts, microchip, audio system, copper wire, lead, 3D printed components, lacquer, paper and wooden, 84 x 84 x four.5 centimeters
“Contrived Object 33 – Mr Zaman” (2021), digital parts, solder, varnish, copper wire, tennis racket, gold perspex mirror, chain and lead, 71.5 × 19 × 12 centimeters
“Technological Mandala 159 – Ego Novi” (2022), digital parts, copper wire, copper foil, lead, solder, acrylic perspex mirror, coloured perspex, enamel paint, varnish and screws, 210 x 210 centimeters. Photograph courtesy of THE FLAT – Massimo Carasi Artwork Gallery
“Technological Mandala 164 – Steady Orbit” (2022), digital parts, microchip, diffuser, copper wire and wood body, 84 x 84 x four.5 centimeters
Element “Expertise Mandala 164 – Steady Orbit” (2022)
#meeting #foundobjects #Leonardo Ulian #mandala #know-how
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