Artwork Nature
#animals #sculpture #Willy Verginer #wooden
April 30, 2024
Kate Mothes
“Fiore del giardino” (2022), lime wooden and acrylic, 135 x 39 x 35 centimeters. Photographs by Egon Dejori. All pictures © Willy Verginer, distributed with permission
Whether or not quick asleep or perched on decorative pedestals, the daring and kooky sculptures of Willy Verginer (beforehand) invite us right into a surreal dream world. His final sequence, the misplaced backyard is predicated on the paradisiacal notion of Eden and the alpine panorama and animals of the Dolomites Mountains close to the artist's house in northern Italy.
Verginer makes use of linden or boxwood to carve life-size sculptures of birds, bears and human figures that mix into their pure environment. For instance, in “Il fiume e la notte” or “the river and the night time”, a baby sleeps on prime of a thicket of branches, directly calm however balancing precariously on skinny helps. And in “Fiore del giardino,” or “backyard flower,” a baby's head and shoulders are wrapped tightly in magenta flowers like a cloak.
Like a lot of Verginer's work, The Misplaced Backyard attracts correlations and contrasts between society's quickly advancing applied sciences and the way our dependence on telephones or vehicles additional separates us from nature. The artist's sculptures stand as totems or nostalgic emblems, interesting to the need for a extra interconnected world.
Verginer is engaged on a solo exhibition at Studio d'Arte Raffaelli in Trento, Italy this fall. Discover extra on his web site and Instagram.
Left: “Fra poco arriverà” (2022), lime wooden, acrylic and aluminum leaf, 76 x 23 x 33 centimeters. Proper: “Oceano verde dietro alle spalle” (2023), lime wooden, burnt wooden, aluminum leaf, 148 x 80 x 74 centimeters
Set up view of “The Misplaced Backyard”
“Il fiume e la notte” (2023), varied forms of wooden and acrylic, 55 x 85 x 53 centimeters
“The Pink Bear” (2022), lime wooden and acrylic, 85 x 225 x 90 centimeters
“Quattro zoccoli in paradiso (blue)” (2023), lime wooden, acrylic and aluminum leaf, 235 x 150 x 70 centimeters
“Coming from the frozen seashores” (2023), varied forms of wooden, 100 x 78 x 45 centimeters
Work in progress within the artist's studio
#animals #sculpture #Willy Verginer #wooden
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