Formic evolution (r) makes a case for laminates in design historical past

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Usually rejected as dated or utilitarian, laminates don’t all the time obtain the love they deserve. However at Milan Design Week 2025, Formica group He gave them slightly deserved. The model organized a convincing case for the laminate place within the historical past of design with Formic evolution (r). Hosted on the Fenix ​​state of affairs, the exhibition has taken guests on a stratified journey – actually and metaphorically – over the many years, presenting over 40 items that spotlight the revolutionary function in modeling trendy life.

Buy the window with "Phoenix" Signs, displaying modern furniture and decor, with a large glass panel that reflects buildings and trees on the outside

The sigerography of the exhibition, designed by the multidisciplinary firm SOPA DESIGN STUDIOit bent within the elementary component of the formica laminate: paper. The stacked layers of paper are pressed at excessive temperatures to create uncooked supplies that ultimately grow to be the fashions and floor varieties we all know in the present day. Right here, the standard origin was delivered to life with a daring impression.

A window with the shop with "Formic evolution (r)" Text, which shows a modern interior with tables, chairs, lamps and red decorative details. Construction reflections appear on the glass

A modern interior space, with a bold red wavy ceiling, blue accent wall, display tables with various objects and surfaces modeled in a well-lit room

Modern red floor showroom, contemporary furniture, including a round table, a chair, a tube shelf and a yellow coffee table, with minimalist wall watches and panels in the background

Upon arrival, the guests have been greeted with a dramatic purple paper set up within the cascade within the ceiling, each on the fabric of the Formica signature and at its iconic emblem. The exhibition was then carried out on three thematic sections: signature design, fluid objects and roaring ’60 and ’70. Clear of Daniele Lorenzon (Founder Galleries Compasso Design and Gilda & Co) and architect/designer Alessandro PedrettiThe exhibition celebrated each the legacy and innovation.

A round white table with a black metal base stands on a red floor with minimalist decor and various watches mounted on a white wall on the background

A person who wears headphones follows two vintage television screens displaying a formica advertisement and people working at a table

Signature design Objects mirrored by icons reminiscent of Charles and Ray Eames, Gioponti and Alvar Aalto, which present how Formica Lamines performed a job in a few of their most acknowledged works.

Fluid objects explored the adaptability of the fabric – with items that flip by means of form and performance.

And Roaring ’60 and ’70 It supplied a vibrant look in twenty years pivoting types of Formica in homes, public areas and business environments.

A modern metal frame chair

A triangular cut in the white book is on a red desk next to a wooden tray containing a pencil

A display presents a chair, office and vintage radio on modern meals from the middle of the century, with geometric decoration on the wall and cylindrical props, all arranged on a red platform

Two tables on a red surface: one with a red and green tip, holding a geometric vase, and the other with a yellow -edge floral pattern

A lot of shelves with a folded brown paper to sow with a colorful shirt placed on the top shelf, on a red floor background

By additional emphasizing the connection between the Formic inheritance and its materials origins, the exhibition additionally offered handmade works by Yoko mea Japanese paper artist. Her poetic, minimal sculptures – from a cup to a bag, a flower vase to a umbrella – have been made totally of paper. These each day objects subtly animated the displayed furnishings, including a quiet layer of tales that tied the historical past of the laminate to the only form.

Two beige cubic objects, one with a simple smiling face, rest -on a dark wood table with thin metal legs and a lower shelf, placed on a red floor

Four cups of beige paper, three stacked and one standing next to them, placed on a glossy, geometric table with red, orange and white triangular sections

A wooden wooden cabinet displays geometric paper objects, including a bottle and a mug, with shelves that are related to green and white -shaped articles

Whereas Milan Design Week was shut, a Formica (R) evolution indicated the next: a everlasting exhibition idea on the Fenix ​​state of affairs to proceed to satisfy trade professionals and design lovers within the continually increasing world of artistic laminate.

A round, white table with a light compartment, which holds beige envelopes is on a blue -pattern floor. Beige objects including a bag and a box are above

Formica T150 Document Holder by Osvaldo Borsani for Tecno in 1966

A yellow vanity table with a high mirror, metal legs, a drawer and beauty products above, placed on a pink background

Formica Vainness

Two wooden chairs on a light -pattern floor, a pair of sandals and a stacked block tower with scattered blocks nearby

Youngsters’s Chairs Formic Alvar Aalto made for Artek in 1935

A rectangular mass with a pink surface with the pink path is surrounded by four suitable chairs. Beige vases with dried flowers and a beige bag rests on the table and chair. The background is pink

Formic Extendable desk with appropriate seats with appropriate seats

A yellow table with black metal legs holds two dark books and a decorative white apple, sitting on a pink mosaic tiles background

Tea Desk Formica designed by Charles and Ray Eames for Herman Miller in 1950

A modern modern wooden office from the middle of the century, with drawers and angles, sits on a floor with a blue pattern, with books, paper and a sculptural lamp

Formica Desk designed by Gio Ponti in 1940

A gold metal closet

Formic nightstand on Ermenegildo and Eugenio Soncini wheels for the Madonnina medical care home in 1957

A modern lateral mass from the middle of the century, with red, yellow and blue surfaces, displays a geometric paper plant and a paper wet on a pink-pattern background

Formic plant stand

To seek out out extra about Formic Evolution (R), the newest tasks or occasions, go to Formica.com.

Photograph by Sara Magni.

As an editor who contributes to the senior, Vy Yang is obsessive about discovering methods to dwell effectively + with intent by means of design. He most likely shares what he finds in Instagram tales. It’s also possible to discover it at vytranyang.com.



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