Gregory Orekhov designs dream metal on the water
Metal Shards is a conceptual visualization of a giant scale set up by artist Gregory Orekhov. The venture consists of composite panels with mirror-stainless metal metal surfaces, organized in an uneven composition on a water floor. Design explores subjects of break and restoration, reflecting migration and adaptation narratives as they combine into the cultural panorama of ny Central Park.
Public artwork Installations usually require massive planning and approval processes. The Shards metal follows this trajectory, attracting parallel with tasks equivalent to “The Gates” by Christo and Jeanne-Claude, which wanted a long time to be achieved. The set up proposes a reflective floor that interacts with its environment, the seize of the sky, the clouds and the silhouettes of the town. The fragmented reflections on the polished metal create a altering visible expertise, the place the varieties appear to interrupt up and reassemble, emphasizing each instability and cohesion.
All pictures of © Nikita Subbotin | Conceptual visualization by © Gregory Orekhov
Chrome steel panels polished within the mirror replicate their environment
Artist Gregory Orekhov’s conceptual work refers back to the intersection of various tales in an city house. New York, as a web site of varied cultural and private trajectories, gives a background for exploring the subjects of journey and adaptation. The fragmented metal varieties symbolize the connections that seem from the separation, making a dynamic relationship between materials, reflection and the context of the location.
The set up was examined in a managed water setting, the photographic documentation stunning the interplay of sunshine and reflections in a gallery house. The fabric properties of the polished metal enable the works to soak up and remodel their setting, strengthening the mixing with the panorama. Despatched for examination, the venture is ready for an additional improvement, understanding that giant -scale public works require an prolonged calendar for approval and accomplishment.
Metal Shards presents a big -scale conceptual set up by Gregory Orekhov
The composite panels with stainless-steel polished within the mirror replicate their environment
Fragmented reflections underline each instability and cohesion
Metal Shards dynamically work together with its setting by gentle and motion
Fragmented varieties symbolize connections that seem from separation
The polished metal absorbs and turns its environment
Set up balances the presence of fabric with the precise integration of the location