What first appeared as a monolithic assertion in gross metallic now seems in a clear black brown, beige and vermillion palette – transformation Sabine Marcelis’ authentic City chair Design in a brand new dialog about coloration and form. This evolution speaks of what the designer primarily based on Rotterdam as soon as described as its curiosity in kind and materiality, the place the fabric itself turns into each canvas and construction.
When the chair debuted at The Stedelijk Amsterdam Museum On the finish of 2024, he represented a departure for Marcelis-known primarily for his wealthy gradient explorations in resin and glass. The unique aluminum model celebrated materials honesty by way of its singular silhouette. With the addition of coloration, BD Barcelona rethink how floor therapy can honor somewhat than obscure structural integrity.
The president’s genesis within the context of the museum affords a vital perspective on his design language. Ordered for Stedelijk’s entrance room, the sculpture gallery and the bar space – areas reimagated by the architect Paul Cournet – the seat wanted to operate each as a useful chair and a design object worthy of the curatorial inheritance of the museum. This double function displays the continual dialogue between artwork and utility that outlined the museum furnishings.
The powder coated end represents greater than an aesthetic choice-the sturdiness of the chair, sustaining its important ease. About 9 kilograms, the chair retains its stackable performance on all coloration variations, preserving its sensible utility. The chair that after harmonized with the clear fashionable structure of the Stedelijk Museum now affords a wider vocabulary for integration into numerous interiors and exterior settings.
For extra details about the Sabine Marcelis Sabine Sabine for BD Barcelona, go to bdbarcelona.com.
Picture by way of the kindness BD Barcelona.
