B&B Italia: A Legacy of Bold Creative Campaigns
By Editor • August 25, 2026 • 2 min read
For sixty years, B&B Italia has not only crafted iconic furniture but also redefined how design and advertising intersect. Renowned for its collaborations with design legends like Mario Bellini and Antonio Citterio, the brand has consistently approached marketing as an extension of its creative ethos.
This unique philosophy took root in 1966, when founder Piero Ambrogio Busnelli enlisted graphic designer Enrico Trabacchi to establish the company's identity. Trabacchi’s innovative campaigns broke away from traditional furniture advertising norms, showcasing a blend of contemporary graphic design and art photography that resonated with Italy's vibrant cultural landscape during the late 1960s and 1970s.
One of Trabacchi's landmark projects was the 1969 launch of Gaetano Pesce’s UP armchairs. Instead of the typical cozy home settings, Trabacchi’s campaign featured these sculptural pieces set against stark, otherworldly landscapes captured by photographer Klaus Zaugg. This striking imagery not only highlighted the design’s avant-garde nature but also transformed the marketing narrative into a broader commentary on technology and societal change.
As the years progressed, B&B Italia's advertising continued to challenge conventions. The provocative campaign for Mario Bellini's Le Bambole sofa in 1972, shot by Oliviero Toscani, featured a model reclining topless, pushing the boundaries of how furniture could be visually represented. While bold at the time, the portrayal also reflects shifting societal views on representation and objectification.
From 1976 to 1995, the collaboration with Swiss designers Hans Suter and Fritz Tschirren of agency STZ marked another evolution in B&B Italia's advertising. Their surreal campaigns depicted furniture as dynamic actors within whimsical narratives, showcasing the playful potential of design communication.
By the mid-1990s, the brand shifted its focus towards integrated living environments, presenting complete lifestyle solutions rather than isolated products. This pivot was evident in the 1989 'To be or not to be' campaign, which emphasized B&B Italia’s identity over individual items, reinforcing its status as a purveyor of lifestyle.
Fast forward to the 2007 campaign for Patricia Urquiola's Tufty-Time sofa, where the tradition of imaginative storytelling continued, blending slightly surreal narratives with contemporary furniture design. Piero Gandini, executive chairman of Flos B&B Italia Group, emphasizes the importance of maintaining a creative, sometimes subversive approach to design and marketing, stating that this connection fosters respect and affection for the brand.
Source: www.wallpaper.com
#advertising #B&B Italia #design #Enrico Trabacchi #Gaetano Pesce #Mario Bellini