Frozen contained in the clear resin blocks, whirlwinds, gestural brushes appear to drift. Fabian Oefner just isn’t alien to the polymer substance, which could be poured right into a mildew in a liquid kind and healed in a strong. In its final collection, QuantityThe artist transforms the paint blows into bodily objects with dynamic dimensionality.
Oefner’s apply has usually targeted on the character of gravity and motion, suspending objects in bodily sculptures or photographing autos and automobiles within the model of exploded diagrams. Generally, he deconstructs articles equivalent to rooms or sneakers, reassembling them in Puzzle (anterior) compositions.
The artist has at all times been fascinated by the textural high quality of the paint, particularly within the exercise of summary expressionists who’ve underlined gestural actions, creation of name and spontaneity-at least its look. Oefner says:
For me, the experimentation of works like “Door to the River” of Kooning or Pollock’s “lavender” has at all times been as a lot tactile expertise. These work are virtually like sculptures for me. What I do is take away the canvas solely and elevate the paint in house, making its physics fully tangible.
Discover extra on the artist’s web site.
