Stratified concrete volumes form the birye church
Birye church, designed by SmlIt’s composed of three stacked concrete slabs supported by partitions and structural columns. The constructing integrates an academic room on the bottom flooring, a chapel on the second flooring and the pastery non-public residence on the third flooring. Every degree engages with the environment by way of totally different levels of opening and enclosure. The volumes of horizontally segmented concrete are aligned with the panorama of mountain ridges and rice fields, whereas the change of sunshine and shadows affect the notion of the construction all through the day.
church It’s positioned in a valley surrounded by Mount Jibongsan, Koreathe place the agricultural land extends to the east and south. The location contains an present crimson brick church and a more moderen concrete construction. A concrete wall marks the doorway, making a transition from the skin into the church yard. A concrete Evenect extends over the doorway, establishing a connection between the inside and exterior areas. The vertical therapeutic massage of the constructing is balanced by the excessive home windows that visually join the three ranges.
All photographs of Namsun Lee
SML ensures useful zoning and spatial continuity
Design group At SML it arranges inside areas in keeping with their features. The primary flooring serves as a multipurpose space for non secular actions, schooling and assemblies. Contains the pastor’s workplace, youth corridor, eating room and a small chapel. A hall with glass partitions connects the inside areas with the yard, bettering the visible continuity. The second flooring homes the principle chapel, the place the uncovered concrete ceiling refers back to the Gable roof of the older church. The absorbent wood sound panels align the partitions, contributing to the acoustic. A porch on the east facet affords panoramic views, bringing pure gentle and establishing a seasonal connection between the inside and the panorama. The third flooring incorporates the pastor’s non-public residence, conceived as a withdrawn residing house. A big window dealing with south frames the sight of the atmosphere, which integrates the structure with the distant and instantly panorama. The concrete roof of the construction and the final composition of the fabric strengthens a cohesive relationship between the constructing and the pure atmosphere.
Birye Church presents three stacked concrete plates, making a stratified architectural composition
The structural partitions and columns help the segmented concrete volumes of the constructing
Varied levels of opening join the church areas to the encircling panorama
Design integrates an schooling room, a 3 -level non-public chapel and residence
The church is positioned in a valley, surrounded by agricultural land stretching east and south
A betta of the guess extends over the doorway, combining the inside and outer areas
Gentle and shadow constantly remodel the notion of construction all through the day
Excessive home windows visually tie the three ranges, balancing the vertical therapeutic massage of the construction
A Hall with glass partitions improves visible continuity between inside areas and yard
Wood sound absorbing panels contribute to the acoustic and chapel environment