“I wish to explode the thought of stunning Ikebana,” says Kosen Ohtsubo, one of the vital essential conceptual artists working within the Japanese custom.
Because the 1970s, Ohtsubo has disillusioned the traditional artwork of flower preparations. Incorporation of atypical botanics corresponding to cabbage leaves or tissue in unconventional supplies corresponding to tub and scrap, the artist approaches the pondering of a jazz musician, a style he listens to incessantly as he works. Improvisation and experimentation are primarily based, together with an untouched need for surprising.
An exhibition from Kunstverein Munich from Munich runs Ohtsubo with Christian Kōun Alborz Oldham, who, after discovering the work of the Ikebana icon in 2013, grew to become his scholar. Entitled The planet with flowers– which refers to an indication that hangs outdoors the home and tokorozawa studio from Ohtsubo – the present presents numerous sculptures and installations that invite viewers to contemplate the fragility, degradation and evasive qualities of magnificence and management.
Given the ephemeral nature of the supplies, images performs an essential position in most Ikebana practices, as a result of it retains a very long time after it has wilted. Subsequently, this exhibition mates photographs with earlier works with new commissions, together with Ohtsubo Standout ENTITUL “Lina Munich”. Nested in a mattress of soil and leaves, the large-scale sculpture wraps willow with metallic constructions and positions a small candle in its middle.
Equally immersively is the “willow rain”, which suspends the skinny branches of the ceiling. Subverts how we normally encounter progress fields, work is among the most of the exhibition that seeds questions on our relationship with the pure world and the bounds of human management.
The planet with flowers It’s considered till April 21. Discover Ohstubo’s huge archive on Instagram.
Reflective sphere, Japanese tissue bamboo basket
