Knot Candle Holder and the Anuka TavartKiladze lovers seat
The Knot assortment, designed by Anuka Tavartkiladze, primarily based on Tbilisi, explores minimalism by sculptural kind. Every object is constructed across the motive for an unimaginable node rendered in stable materials, underlining ideas of structural stress, connection and technical precision. The gathering reinterprets a well-known visible component in purposeful objects with architectural readability. The sequence presents the lovers seat, a The metal financial institution This shapes two curved, mirror chairs, and the candle holder, with a big flooring base, each integrating the sculptural and intimate component of a knot into their design.
All the photographs of Ika Khargelia
Node creates a proper disturbance in purposeful metal objects
Constructed of metal, the candle holder has a vertical stem set in a spherical base. Designer Anuka Tavartkiladze introduces a knot within the center level, making a second of visible and structural disturbance in a in any other case linear profile. The help is designed to help a single conical candle, sustaining vertical symmetry and emphasizing spatial restraint. The composition balances the fabric mass with visible ease, functioning each as a utilitarian object and as a proper research.
The love chair is a financial institution that integrates chairs and sculpture by means of a geometrical configuration. Two symmetrically curved chairs kind a mirror look, linked by 5 slender vertical helps. A steady arcade of washing through the again, with a central component of node positioned on the center level. This steel element introduces an intentional kind in kind, which suggests materials stress and continuity. The financial institution operates within the ideas of repetition, proportion and structural readability, with functions in gallery settings, quiet architectural interiors or contexts that prioritize spatial retention and conceptual readability.
Knot assortment is investigating structural stress by sculptural design
Anuka Tavartkiladze interprets the explanation for an unimaginable node into purposeful objects
Two curved chairs mirror one another to set a symmetrical look
A knotted metal component anchor the central axis of the seat
5 vertical ft help the form with a exact repeat
The candle holder mates a vertical stem with a spherical base and a central knot
A node component disrupts the linear axis of the stem, creating a proper distinction