Keff Joons: Interactive inflatable artwork arrives in Brooklyn
In a quiet, industrial pocket, on the sting of the Dumbo neighborhood of Brooklyn, artist Cj sensible reveals Keff Joons, essentially the most colossal architectural intervention. Hosted in a cavernous warehouse from 50 Gold Road, the work is much less an exhibition and extra a disorienting monument for the dimensions and sensation. A confused explosion of outsized inflatable “Balloons”, the work occupies virtually each centimeter of vertical and horizontal area, inviting guests to UP in chaos. Immediately playful and barely horrible, the area distorts your path of path, weight and proportion, to deliver a extra comparable expertise to a cross -rejection home with an Escher drawing.
Keff Joons is watched from 11 to 20 April 2025 to 50 Gold Road in Brooklyn’s Vinegar Hill. It is going to be open day by day between 10 and 17:00 the doorway is free, however there are in all probability traces – Hendry’s installations have a fame to draw enthusiastic crowds.
Picture © Designboom
CJ Hendry dissolves the construction and performs
Impressed by Jeff Koons’s balloon iconography, however who left an absurdist territory, CJ Hendry conceived one thing decisive. Keff Joons asks: What occurs when the construction dissolves and the sport turns into structure? –Whereas Jeff has turned the balloon animal into an artwork icon, I packed these “knots” of the balloon that provides up construction and form and are completely ridiculous‘The artist say. This irreverence is a part of the decision – it encourages guests to work together, to climb, to belief their supplies and their curiosity. Nothing is separated, all the pieces is engaging. Right here, the structure will not be static. It flies, slips, replies.
The set up is printed as a large number of particular person balloons outsized in electrical shades of purple, inexperienced, pink, yellow and purple. They don’t seem to be organized as disparate sculptures, however moderately soften in a dense, architectural knot. Kaff Joons doesn’t solely take up area; It swallows it, with the balls which can be wrapped and stretch on a number of rooms, like a surrealist organism. It’s immersive and untouchable, forcing guests to really feel their approach by the tangled desk, typically on their fingers and knees. There isn’t any signaling, no guidance-only the rubber odor of the vinyl, the creeping of the surfaces that change air and a thrill that lands someplace between the enjoyment of childhood and the low stage adrenaline.
Picture © CJ Hendry Studio
Together with Labyrinth Keff Joons Balloon, CJ Hendry bases the set up with a collection of his hyper-real pencil drawings. In whole, the works are approaching particular person balloons – now all of the sudden delicate, remoted and exact. There may be additionally a sculptural maquette of the entire set up, giving a view of the birds on the chaos that you’ve simply caught. These quieter, extra contemplative items reveal the technical rigor behind The Whimsy, emphasizing the artist’s present as a result of he crossed the road between the present and the power.
To expertise Keff Joons, guests should throw their footwear, signal a give up and slot in orange grip socks – uniform uniform, equalization. It’s a logistical element that’s added to the sense of the ritual. One isn’t just to have a look at artwork. Guests enter it, bodily and psychologically. Hendry understands the facility of participation, to rework spectators into mountaineers, slides and explorers. The expertise is democratic and hilarious impractical. No backpacks, no coats, with out skirts. Solely the viewer and the balloons.
Picture © CJ Hendry Studio
Picture © CJ Hendry Studio
Picture © CJ Hendry Studio