Ronan Bouroullec and Vincent Van Duysen at Milan Design Week
Ronan Bouroullec and Vincent van Duysen creates a sequence of mergerglass Installations for Wonderglass throughout Milano 2025 design week. Entitled Poetica, the exhibition from Istituto Dei Ciechi is held between April eight and 12, displaying the current work of the designers. The scenic is complemented by the Calico Wallpaper wallpaper fashions and a particular contribution of officine Saffi Lab. Two days earlier than opening, Designboom Speak to Ronan Bouroullec and Vincent Van Duysen As an alternative of the exhibition about their creations for Wonderglass.
The French designer presents two collections: Architetura Per Fiori has developed in collaboration with Officine Saffi Lab, in addition to the set up of Vetofuso Spazio. With the Belgian architect and designer, he introduces Optaô, a sequence of tables and panels designed from perforated merged glass. Each well-known figures reply to the theme of poetry. Ronan Bouroullec units his set up in a white field, suspending the skinny glasses much like the tapestry with coloured bands as a panorama for his translucent and enamelled ceramic glasses. In entrance of them, Vincent Van Duysen deposits his panels and perforated tables from fused items of glasses. Its assortment appears illuminated because the white lighting of the ground passes by the clear materials.
All photos of Wonderglass amability except in any other case supplied
Interview with Ronan Bouroullec and Vincent Van Duysen
Ronan Bouroullec says Designboom That he offers with the conclusion of architeture on the creeps and Vetofuso Spazio as a analysis, not as merchandise or items. The primary has a sequence of arc -shaped glasses, nearly opaque, with some modular enamelled ceramic vases round them. For the latter, the famend designer creates a superimposed layer of skinny inexperienced round glasses, taking the form of a cloud or tree. “What you see right here is one thing new: the bottle along with the merger”, Designer Share with us throughout our interview. He discusses the method of competitors of the glasses of the glasses to provide the gathering, the identical method that architect And designer Vincent Van Duysen utilized to his meal sequence and a panel.
The translucent molded glass could be by yourself as a design object. When requested why he created E-mail ceramic vases, Ronan Bouroullec explains that “We’re in a interval when deep enamel disappeared.” In a approach, he brings this talent. “I’m in love with this merger approach, in addition to the vases that may very well be positioned in numerous methods: in entrance, again, on the facet. Underline the transparency of the glass and the truth that it’s pale utilizing flowers. Then, this delicate skinny glass display, which is a part of the exhibition. I feel, basically, every little thing works.” The designer shares with Designboom.
Exhibition visualization of poetry on the Milan Blind Institute, Italy
Poetic panorama from the Blind Institute for Wonderglass
The white background permits the colourful glass installations of Ronan Bouroullec to face out, making it floating. He says that the design is intentional, a memory of the Tesserae glasses within the cathedrals when the daylight shines on them. By far, a number of the items resemble suspension whereas the white mild mixes with the clear glass. Autumn colours turn into one other level in our dialogue. “I prefer to work in colour, however I have no idea precisely learn how to discuss it. It is vitally intuitive, my approach of utilizing the colour palette. What’s fascinating, this sequence is nearly like a watercolor drawing; one thing very weak with a distinction colour, ‘ he say.
Ronan Bouroullec acknowledges that his colour palette has developed over time. One factor that stays with it’s the usage of these mild shades, guests can not discover in nature. Along with the usage of pure colours, the essence of the shape for the designer comes. “They’ve a private which means for me,” he says. “However I attempt to construct a form of kind principle, looking for a sure sort of concord or magnificence greater than a way. It’s extra of a query on learn how to attain the delicacy, to succeed in a sure magnificence with nearly nothing. A few of them are round, a few of them have a extra modest kind or kind.
View of Ronan Bouroullec’s structure for Spazio Fiori and Glass glass installations in Milan
With Vincent Van Duysen, his Optaô glass sequence contains two hand -blown -blown -blown display tables, all having holes round them. He explains to Designboom That the identify of the sequence comes from the traditional Greek phrase, which suggests optically or imaginative and prescient. “It’s a entire perforation. It may be a minimize – a minimize that permits mild to enter or create a gap – the place there’s a piece between mild and shade. The items then create that duality between method and openness, which produces that mild toy,” He shares with us. For the architect and designer, the display symbolizes a barrier, a safety towards one thing.
On condition that it’s translucent, it presents a poetic significance, which returns to the identify of the exhibition, poetry. “This can be a playful method to translucent to opacity,” he provides. Then, the 2 meals, each seem by merging the chunks or items of glass collectively. The thought of a display returns by the 2 panels held collectively by glass tubes blown within the mouth. Have the identical diameter as perforations. A few of these glass tubes penetrate, resembling vases and even ingesting glasses. “You will get them out and exchange them. You may play with them. They provide some form of freedom for customers to create their very own combos,” Says Vincent van duysenmentioning that these constructions are heading for its personal architectural ethos.
Architetura per Fiori presents a sequence of arch -shaped glasses with modular enamelled ceramic vases
The frozen water and even oxygen come to Vincent Van Duysen’s thoughts throughout Optglass’s Optglass. He interprets magnificence in his equally recent and lightweight items, even when they weigh bodily. There’s once more that duality, the interplay between physics and visible ease. “The usage of melted glass improves that these items are very poetic, that they seem and never solely the world of building and structure, but in addition to humanity and the world of nature,” says the architect and designer. Like Ronan Bouroullec, it’s a international territory invited for Vincent van Dony to work with glass. He makes use of it in his architectural tasks, in addition to in merchandise and objects of objects.
With Wonderglass, he and the founder Maurizio Mussati resolve to make use of a glass fusion approach. The step permits him to get a brand new type of invention and artwork. Previous the usage of glass, The architect and designer acknowledges that they’re particularly sticking to pure supplies, saying, “I prefer it when the items are designed and derived from pure supplies. I additionally use expertise, however it’s largely a hidden issue, a fundamental design factor. I nonetheless imagine in actual mastery, the place you continue to really feel the fingers and humanity within the manufacture of components. That is the great thing about the tune and this I really feel extra tied.”
Detailed view of the solid glass and enamelled ceramics for Wonderglass
Vetofuso Spazio is a sequence of layers overlapping by skinny inexperienced round glasses