Design of Haritini Gritzali references to conventional Greek ceremonies
Designer’s service objects Haritini Gritzali is a set of objects which can be each inner and ritual. Deeply rooted within the Greek custom and its day by day ceremonies, it’s made up of objects which can be each purposeful and symbolic, each properly -founded and non secular, each acquainted and enigmatic. Their materiality stays merciless, pure, devoted to its essence. Their totemic types and the repetition of the geometric components are carried out at a structured price. Their sculptural The presence embodies a quiet monumentality, standing not solely as objects, however as markers of area.
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Compositions of layer -shaped cylinders and chandelier
The coat stand exceeds the easy performance; Turns into a gesture. Historically, a service object, designed to carry, carry, right here, states its personal sculptural goal. On this strong walnut totem, the rhythmic composition of the cylinders, every with its distinctive cereals, highlights the individuality of the fabric, whereas sustaining a sense of connection.
The chandelier introduces an exploration of each private and collective rituals. Historically present in ecclesiastical areas, Designer Haritini Gritzali recomposes it right here by a daring geometric kind. Fabricated from brushed aluminum, a uncommon materials utilized in such ceremonial objects, creates an surprising distinction. Industrial, however ceremonial, the chandelier sits with the austerity of a up to date monastic relic.
The objects of the service bridges work and the ritual by elementary design
Paravent and vessel creates a dialog between mass and fragility
Paravent introduces to service objects a cloth that carries a definite historical past. Brushed aluminum frames the receipts of cotton materials which can be fastidiously obtained from the Greek textile workshops now. These materials are remnants of a standard boat that has pale, nevertheless their presence resists, every holding a tone, texture and distinctive reminiscence. The manually lined buttons repair the material on the body, contrasting subtly with the economic accuracy of the aluminum. The paraventa transforms the totemic verticality of the service objects into an outlined however open construction border, which is each outlined and open, shifting between hiding and publicity.
The vessel adjustments between a stand -alone object and a container. The Haritini Gritzali Haritini craftsmen from Brass Brass, a cloth that improves duality. The load and solidity of the metallic have a way of permanence, whereas its empty area has delicate, making a dialogue between the mass and the fragility. Over time, brass develops a novel patina, reflecting the passage of time and revealing the evolutionary character of the thing. The ship turns into a residing piece, able to holding water, flowers and reminiscence.
Each bit relies on Greek custom and inner ceremony
The chandelier reinterprets a sacred typology in brushed aluminum
Totemic types set up presence – park object, area marker
Geometric repeat builds a quiet rhythm within the assortment