The Spiral: A Stylish yet Superficial Horror Offering from Paolo Strippoli

In his latest film, "The Spiral," Paolo Strippoli delivers a horror experience that showcases his distinctive style but falls short of the depth found in his previous work. Valeria Bruni Tedeschi shines as a chic, trenchcoat-clad incarnation of evil, leaving viewers both intrigued and slightly unsatisfied.

A Fashionable Devil

Bruni Tedeschi’s portrayal of the Devil is a highlight, complete with a bobbed hairstyle and a cigarette that she wields with precision. Her character, aptly described as a femme fatale, preys on the fears of Anna (Jasmine Trinca), a mother faced with an impossible choice between her two children. The film plunges into a Faustian tale, where the stakes involve not just family dynamics but the very essence of morality.

A Shift from Previous Works

Strippoli’s fourth feature film marks a noticeable shift from his prior effort, "The Holy Boy," which was recognized for its complex narrative and haunting atmosphere. While "The Spiral" entertains with its flashy visuals and sound design, some critics argue that it lacks the sophisticated storytelling of its predecessor. The film's narrative structure, featuring disjointed flashbacks, detracts from the tension and emotional weight, leaving audiences wanting more depth.

Dark Choices and Consequences

The film begins with a gripping scene of an airplane caught in turbulence, setting a chaotic tone that carries through to the personal turmoil of Anna’s family. After a tragic incident involving her daughter, Anna encounters Bruni Tedeschi’s character, who offers a sinister bargain to ensure her daughter’s well-being at a horrific cost to her son. This premise spirals into increasingly grim consequences that, while visually engaging, raise questions about the film’s treatment of sensitive themes like body image and familial guilt.

Source: variety.com