Painter from Brooklyn Jennifer J. Lee The present “The Falls” exhibition reveals 11 new work on the Klaus von Klaus von Nichtsgend Gallery in New York. Lee continues to degree her method to color photorealistic on the jute and porous material, that any consultant picture appears unattainable from a technical viewpoint, to not point out the perfection and backbone of digital photos. All this ends in a deep top of every day and invite the viewer to play in a world between pixels and materials, phantasm and physics.
Jennifer J. Lee: The Falls. Klaus von Gallery meaningless, New York, 2025
Lee supplies their photos on the Web, utilizing the iPad whereas portray, thus deliberately and straight interprets brilliant pixels into bodily brushes. This paint additionally finds a brand new “actual pixels” grid on the low -wire tower material, the place each the digital and bodily (usually totally different) decision may be each notified.
Jennifer J. Lee, Tennis, 2024
Jennifer J. Lee, Tennis, 2024 (element)
The most recent work within the exhibition “Seaside, 2024” measures solely 12 on 21 centimeters and feels that a JPEG picture has had issues to symbolize particular person sand grains – producing a slight colours. Lee’s translation of this precise impact is now superimposed on a brand new crisp wire grid. Even the open areas between the wires (which appear as if tiny black spots) mimic sand grains.
Jennifer J. Lee, seaside, 2024
Jennifer J. Lee, Seaside, 2024 (element)
Lee’s work dances and between actual material and REPRESENTATIVE The fabric of the chosen topic. The “Safety Mirror”, for instance, is an ideal battle (or steadiness?) Between the stinging fibers and the sleek picture of a superbly clean mirror. Whereas in “stripes”, the attention oscillates between the precise variety of bell wire and the material of the picture. All the pieces right here is an excellent alternative and really thought of each within the topic, scale and in its ensuing dialog with the fabric and method.
Jennifer J. Lee, Safety Mirror, 2024
Jennifer J. Lee, Safety Mirror, 2024 (element)
Jennifer J. Lee, Stripes, 2024
Jennifer J. Lee, Stripes, 2024 (Element)
The central piece of the exhibition is a single wall that holds four blue denims work. “Lee Denims” is a crafty eye on the artist’s title on the label, whereas “acid denims” fastidiously restore the random fashions of a “acid washing” with perfection. It seems to be nearer to note that pants don’t appear to be worn by an individual. A number of photos tease the sight of a dummy or a show kind above the waist line, as they grasp barely overseas than they might be on an actual physique.
Jennifer J. Lee: The Falls. Klaus von Gallery meaningless, New York, 2025
Jennifer J. Lee, Lee Denims, 2024
Jennifer J. Lee, Lee Denims, 2024 (Element)
Jennifer J. Lee, Denims Acid, 2024
Jennifer J. Lee, Denims acid, 2024 (element)
Lee’s work continues to query, reveal and problem the velocity and expertise of the pictures we devour day by day. Her work are each totally acquainted and utterly unusual -inviting to decelerate, rethink the potential and have a really actual and deep expertise, with a “actual” digital picture by an uninterrupted and unbelievable dedication.
Jennifer J. Lee: The Falls. Klaus von Gallery meaningless, New York, 2025
Jennifer J. Lee’s “The Falls” is watched on the Klaus von Nichtsgend Gallery in New York till February 22, 2025. And in case you are in Los Angeles, you’ll be able to seek the advice of extra of Lee’s work which are at present on the Museum A recent artwork (moca) within the group exhibition “Widespread individuals: photorealism and artwork work of 1968”.
WHAT: Jennifer J. Lee “The Falls”
WHERE: Klaus von Gallery meaningless, 87 Franklin St, New York Metropolis, New York
WHEN: January 10 – Feb 22 2025
All the whole photos of artwork and set up installations and Klaus von Nichtssagend Gallery, New York.
Detailed photos of the creator, David Behringer.
